Friday, 9 December 2011

Drive (2011)


Ryan Gosling is exceedingly cool as a car mechanic with hazardous extra-curricular activities.  The plot is engaging and much of the violence impressive, but there’s too much focus on the romance and overall it was a bit too obviously deliberate in its eighties style for me. Definitely worth a watch.

Three stars

Thursday, 1 December 2011

The Guard (2011)


Brendan Gleeson is magnificent as the ‘Guard’ (Irish policeman) in this darkly comic crime thriller.  His abrasive and confrontational attitude is delightful, and wonderfully balanced with Don Cheadle’s straight-laced orthodox US cop.  The character also benefits from a cracking crescendo of a criminal plot with a finale that doesn’t disappoint.

Five stars

50/50 (2011)


This ‘cancer comedy’ tells the moving but humorous story of a young man’s cancer diagnosis and treatment.  It’s sensitively executed, evoking laughter and tears in equal measure.  Seth Rogen provides perfectly pitched best-friend banter, whilst Joseph Gordon-Levitt is superb as the patient – sometimes stoic, sometimes desperate, always likeable and real.

Five stars

Friday, 25 November 2011

Conan the Barbarian (2011)


Barbaric action at its finest! Conan’s quest of vengeance sees him face (and ultimately overcome) countless sticky situations, including elements borrowed from fantasy, sci-fi and adventure classics.  Dialogue is at a minimum and action at a ferocious and brutal maximum, served with plentiful swordplay, bloodsplatter and battles roars. Also: phwoar!

Four stars

Monday, 21 November 2011

30 Minutes Or Less (2011)


Jesse Eisenberg and his sidekick bumble from one far-fetched spectacle to the next in an attempt to appease some (completely implausible) bad guys before they blow him up.  Disappointingly unfunny and missing the sense of urgency required by a ‘deadline’ movie, rendering the preposterous antics just plain ridiculous.

Two stars

Friday, 11 November 2011

Crazy, Stupid, Love. (2011)


With its cracking cast I’d hoped this might be funny enough to forgive its romantic foundations.  Unfortunately it fails to raise itself above the soppy quagmire of ten-a-penny romcoms.  The numerous semi-related ‘love’ stories are clumsily interlinked and the three-star humour can’t prevent the movie drowning in its own slush.

Two stars